Solvent Solves the Profit Problem

Despite migration to UV, latex, and other inkjet technologies, some printer manufacturers stand behind solvent because it makes their customers money. And it’s “greener” than you might think.

Mark Vruno
March 1, 2014
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Mutoh ValueJet 1624

Unlike some of its competitors, Epson and Mutoh are two OEMs still heavily invested in solvent print technology. Canon no longer offers solvent printing systems and HP declined to participate in this round up, stating that it is “not putting any PR muscle behind this segment currently.” Engineers at Epson, however, have yet to embrace an ultraviolet (UV)-cured inkjet alternative. “Solvent is an important business for Epson and Seiko Epson, our parent company,” asserted Reed Hecht, product manager for the manufacturer’s SureColor S-Series. “It is the workhorse of the industry, producing the majority of flexible signage every day.”

But what about solvent’s anti-green reputation? With the blinding pace of technology, print firm owners and managers should not live in the long past of seven, eight, or nine years ago, Hecht urged. “In 2005 and 2006, solvent smelled horrible,” he recalled. “But we are not in that game. We are ISO-certified with core Japanese roots.” Today, Epson’s inks are more environmentally friendly than ever, he contended, meeting the stringent chemical requirements for the Nordic swan eco-label in Europe. “The inks are almost odorless. The majority of smell comes from the media sitting on the heater,” he explained, adding that Epson scientists have removed all nickel compounds, which are known carcinogens.

Besides being less harmful to operators and the environment, why else do so many wide-format shops like solvent-based printers as Q2 2014 looms? The hardware is more affordable, especially for smaller print firms, Hecht pointed out. “A solvent device can be purchased for between $13,000 and $23,000,” he reported, adding that “an entry-level UV printer with the same width is priced between $70,000 and $80,000. They really are two different classes.” Higher-end machines, such as EFI’s VUTEk line, have even larger price stickers approaching a quarter of a million dollars.

A quick price check confirmed Hecht’s numbers: An SID 63-inch Triton 160 printer, employing Epson print heads and distributed by Paradigm Imaging Group, sells for $16,900, while its 83-inch cousin is $7,000 more. The 98-inch Triton 250S lists for under $30,000. Superwide Titan models (126 inches) start at $26,500 with the 320GS going for $43,900. (Paradigm’s finance arm offers zero-percent financing for 36 months.)

Ink and Heads

Comparing consumables, Hecht admitted that UV inks are less expensive, whereas printouts employing aqueous (latex) inks can cost approximately two times more than those using solvent-based inks. Paradigm prices solvent inks at between $54 and $65 per liter. Both solvent and latex inkjet tend to be superior choices for roll-to-roll printing on flexible media -- for such products as banners and car wraps -- because the ink is more pliable and better able to maneuver over rivets and seams. In Japan, Epson’s 60+ chemical engineers have worked diligently to improve solvent-based inks, yielding more vibrant images and a wider color gamut – attributes more on par with its water-based, aqueous counterparts.

Last year, Epson launched its UltraChrome GS2 and GSX Series of inks, which use a faster drying chemistry to improve speed as well as outdoor print durability with an improved yellow. UltraChrome sets a new benchmark for photographic signage, too, by using lighter shades of cyan, magenta, and black. Featured on the SureColor S50670, UltraChrome GS2 ink delivers up to five colors with a high-density white ink to accommodate a broad range of indoor and outdoor signage applications.

In addition, AccuPhoto GS2 four-color screening technology can produce outstanding prints previously only possible from six-color printers. Proprietary MicroPiezo TFP (Thin Film Piezo) print heads have a lot to do with high-quality output as well. The MicroPiezo TFP delivers extremely small droplet sizes and four times the nozzles of Epson’s previous solvent printer for extremely fast print speeds. Under development for more than 20 years, mid-2012 marked the first time this revolutionary dual-array head was used with a solvent ink technology. Designed exclusively for use with UltraChrome solvent inks, these heads feature “accurate dot placement and reduction of grain,” noted Hecht.

In January, Paradigm, which is the North American distributor for SID (Signs International Distributor), introduced new eco-solvent inks developed specifically for the SID Mercury GS and Titan GS printers that feature Seiko GS-508 print-head technology. By using these IJ-3000 inks, SID customers with the Mercury and Titan GS printers are able to achieve resolutions up to 1440 dots per inch (dpi). In addition, IJ-3000 inks are compatible with print heads from other manufacturers with 12 picoliter or similar high-resolution heads.

The IJ3000 inks are formulated for maximum outdoor durability and UV light resistance. In laboratory testing, the inks received a grade of 8 (6 or higher being suitable for outdoor use). Because they are a mild or eco-solvent, they require minimal venting and create less environmental impact than traditional solvent inks.

Media Performance

Eco-solvent inks are one component, but here we are in 2014 and most customers still are not willing to pay more for eco-friendly substrates, according to Hecht. It has been a real challenge for media suppliers, he said, to develop “green” substrates that perform well in terms of color reproduction and stretching properties. “Small sign shops need to make a profit, and they’re focused on the cost of materials,” he observed. “There are banner alternatives to vinyl out there such as BIOflex from Ultraflex Systems, which breaks down faster in landfills, but it tends to be cost-prohibitive for most applications.” By contrast, a roll of 15-ounce Duratex scrim banner vinyl (76 inches by 164 feet long) is available on sale from Agfa/Pitman for $166 (plus shipping), which amounts to 16 cents per square foot. The smooth, opaque, high tensile strength banner is flexible, water-resistant, and has a block-out layer to prevent distracting backlight and shadows. It consists of a polyester fabric that is embedded between two PVC (poly vinyl chloride) layers, making it less susceptible to tearing.

It’s all about total cost of ownership for Epson. Aqueous-based inks do have numerous environmental benefits, Hecht acknowledged, “but what many people don’t realize is that the amount of power required to run these devices is higher.” How do you define operating “green?”

More Productive Technology

Mutoh offers a full line of solvent, aqueous, hybrid, and sublimation large-format printers (see sidebar). Its ValueJet eco-solvent devices, which output from 48 inches to 104 inches wide, are targeted at the sign and display market. Ideally suited for the production of long-term outdoor applications, typical jobs include full-color posters, banners, backlit signage, point-of-sale (POS) displays, external notices for buildings, production plants, and construction sites as well as adhesive signs and stickers. The ValueJet 1624 model also can be used for durable, photo-realistic prints for indoor usage, according to Mutoh.

The 1624, a WFI Top Product in 2012, prints at speeds up to 600 square feet per hour using state-of-the-art print head technology. The 1624 model is able to be equipped with the SpectroVue VM-10 spectrophotometer, which was specifically developed for on-printer color calibration, achieving a higher level of color consistency for multi-run print jobs as well as those printed on different substrates.

The 1624 printer also comes with a movable ink cartridge holder that accommodates both 220-ml and 440-ml cartridges. The ValueJet line offers additional performance enhancements standard such as improved paper feed accuracy and take-up system, ink changes on the fly, and three individually controlled heaters for faster drying. Mutoh’s patented I² Intelligent Interweaving print technology is a standard feature. Revolutionary in the piezo printing application world, this technique allows for increased print speeds and virtually eliminates banding. Its improved accuracy and consistency of dot size and dot release during printing enriches the image.

In one of Mutoh’s most recent installations, a ValueJet 1624 was added in January at Dalesflex Signs & Graphics Ltd., North Yorkshire, UK, where a bulk ink system already is contributing to cost savings. Wide-format shop Dalesflex, in business for less than two years, specializes in vehicle wraps. To better serve its customers, the firm replaced its aging Mutoh Rockhopper printer it had initially acquired with a newer, more efficient model.

“We were pretty confident that we wanted to stay with Mutoh printers, so we started searching the Internet for suppliers of these machines,” explained director Andy Walls. “We spoke to a number of companies and in mid-2013 settled on making the purchase of a ... ValueJet 1624 through [dealer] Stanford Marsh Group Graphics. As a new business, we were keen to work with a company that could simplify the whole purchasing and installation process,” he said of SMGG. “The company offered us an end-to-end service from recommending a solution through to sorting out a way of leasing the chosen system – thereby helping us to retain more of our cash reserves.” SMGG also advised that buying the bulk ink system (BIS) would prove more cost-effective than purchasing individual cartridges. “The Mutoh BIS enables us to keep the running costs of the machine down, whilst sticking to OEM inks,” Walls added.

ONYX’s RIP was installed on the machine, and SMGG provided training for the Dalesflex team on the software. The machine was put to good use with a short-turnaround piece shortly before Christmas. “On our previous printer, the project would have taken weeks,” Walls noted. “However, with the new Mutoh successfully installed, we managed to print 250 linear metres of media in just three days. It was unreal – the machine just ate the media! If anything, our only issue following installation relates to the fact that we need to retrain our practices to keep up with the printer.”

Soft Signage in the Mix

When it comes to soft-signage applications, dye-sublimation imprinting devices can print on everything from stretchy, thin polyester fabrics all the way to traditional canvas, said Mike Wozny, product manager for EFI VUTEk’s inkjet business. Introduced two years ago, EFI’s next-generation, 3.2-meter VUTEk TX3250r model employs solvent technology. “A solvent-based carrier is required for quality at speeds of more than 1,000 square feet per hour,” Wozny explained. “Water [aqueous] can’t evaporate off at that rate, and you’re putting a lot of ink down to make images ‘pop,’” whether printing direct or using the heat-transfer method.

Dye-sublimation applications include flags and point-of-purchase (POP) graphics. Dye-sub can be ideal for tradeshow exhibit graphics, too. “It’s lighter, cheaper to ship, easier to roll up, and more green with a shorter half-life than vinyl,” Wozny said. Industrial applications are using the technology, too, such as hanging stretch fabrics in hotels instead of wall paper. Wozny reported that EFI VUTEk has installed more than 100 solvent, dye-sub printers worldwide over the past 10 years. “These machines represent a big investment [they cost hundreds of thousands of dollars], but ROI is measured in minutes,” he added,” because margins are 70 percent to 80 percent.”

Next month a key focus for Mimaki Europe at the InPrint show in Hannover, Germany (April 8-10), will be demonstrations of print onto diverse fabrics. Its TS500-1800 sublimation printer is among the systems to be showcased along with solutions from its UJF Series and the JFX500-2131, highlighting the manufacturer’s broad textile printing portfolio.

With industrial printing taking giant leaps forward and inkjet technology playing a significant role in this booming market, Mimaki is counting on its innovative product portfolio -- based on its UV-curable inkjet technology -- to pay dividends. “We’re constantly raising the bar in terms of the cost, quality, and flexibility metrics for high-quality, small-lot printing of textiles, even when using stretchy fabrics,” stated Mike Horsten, marketing GM for Europe, the Middle East, and Africa.

Epson America, meanwhile, launched its new, 64-inch SureColor F7170 dye-sublimation printer in mid-January for the roll-to-roll textile market. Optimized MicroPiezo TFP print head and an UltraChrome DS ink system enables the SureColor F7170 to deliver high-quality printing for a range of dye-sublimation applications with superior dot control, precise and repeatable performance, and excellent longevity, the manufacturer said. A highly accurate take-up reel and substrate system delivers winding accuracy between zero and .19-inches on transfer paper rolls for a range of digital textile applications, including flags, banners, home furnishings, and apparel manufacturing. Built for increased productivity, the F7170 also features a high-capacity ink tank system with refillable bags, to allow continuous printing through a full roll of media, as well as a new post-platen heater for faster drying times.

“The SureColor F7170 was designed to enable digital textile producers to increase productivity, minimize downtime, and maximize profitability,” said Catalina Frank, product manager in Professional Imaging. “The combined power of Epson’s MicroPiezo TFP print head technology with an advanced feature set and industrial-level performance enables customers to manage high-quality dye-sublimation printing across a range of applications all day, every day.”

The F7170 joins the complete line of SureColor F-Series printers, including the F6070 and F7070, and integrates true roll-to-roll support for unprecedented levels of performance, reliability, and image quality for the fabric production and soft signage markets, Epson said.